Colossal is a 2016 science fiction comedy film directed by Nacho Vigalondo. The movie stars Anne Hathaway as Gloria, an alcoholic woman who discovers that she has a strange connection with a giant monster that is destroying Seoul, South Korea. As Gloria struggles with her addiction, she also has to come to terms with the fact that the fate of the city rests on her shoulders. The film is a unique blend of genres that makes for an entertaining and thought-provoking experience.
One of the most striking aspects of Colossal is its originality. The film takes a familiar concept, the giant monster, and turns it on its head by framing it in a completely unexpected way. Not only is the monster controlled by a human being, but that human being is a flawed, relatable character who is struggling with personal demons. It's an ingenious twist on the genre that raises fascinating questions about the relationship between individuals and the wider world.
At its heart, Colossal is a character study. While the sci-fi elements provide an exciting backdrop, it's really Gloria's personal journey that drives the narrative. As by Hathaway, Gloria is a deeply flawed person who has hit rock bottom. Her alcoholism has destroyed her relationships and left her feeling lost and hopeless. When she discovers that her actions are causing destruction on the other side of the world, it's a wake-up call that forces her to confront her issues.
Hathaway's performance is one of the film's biggest strengths. She brings depth and nuance to a character who could easily have become a caricature. Gloria is a mess, but she's also sympathetic and relatable. Hathaway does an excellent job of conveying the pain and confusion that underlies her character's self-destructive behavior. By the end of the film, Gloria has grown and changed in a way that feels earned and satisfying.
The supporting cast is also strong, with Jason Sudeikis standing out as Gloria's childhood friend Oscar. At first, Oscar seems like a well-meaning, if slightly disingenuous, friend. But as the film progresses, it becomes clear that there is something darker and more unsettling lurking beneath the surface. Sudeikis's performance is unnerving and effective, and he provides a strong counterpoint to Hathaway's more sympathetic character.
Visually, Colossal is impressive. The scenes of the monster wreaking havoc on Seoul are epic and well-executed, but the real standout is the way that Vigalondo uses framing and composition to emphasize the emotional states of his characters. There are several scenes that are shot in a way that creates a sense of claustrophobia or unease, and these moments are just as effective as the more bombastic setpieces.
Overall, Colossal is a film that defies easy categorization. It's a sci-fi comedy that is also a character study, a monster movie that is also an exploration of addiction and identity. While it may not be for everyone, those who are willing to dive in will find a unique and rewarding experience. The film is a testament to the power of originality and creativity, and it's sure to leave an impression on anyone who sees it.
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