Violette Serrat is a French-American writer, journalist, and editor who has made a name for herself in the literary world. She is the founder and editor-in-chief of a popular cultural magazine called “The Funambulist,” which focuses on the intersections of politics, architecture, and urbanism. Recently, Serrat was about her work and the inspiration behind it.

During the interview, Serrat spoke about her childhood and the impact it had on her writing. She grew up in Paris, France, in a family of artists and intellectuals. Her parents were both trained architects who instilled a love of design and a curiosity for the built environment in their daughter. Serrat noted that she was fascinated by the ways in which buildings and landscapes could shape the way people live and interact with one another.

As Serrat grew older, her interests expanded to include politics and social justice. She studied political science and journalism in college, and later worked as a reporter for various publications in Europe and Africa. However, she found that traditional journalism often focused on the “boring” aspects of politics, such as diplomatic meetings and official speeches. Serrat wanted to explore the more human side of politics, and began to look for new ways to tell stories.

This is where “The Funambulist” comes in. Serrat founded the magazine in 2011 as a way to bring together her passions for politics, architecture, and writing. The name “funambulist” refers to a tightrope walker, someone who navigates precarious spaces with grace and skill. In the same way, Serrat’s magazine is dedicated to exploring the complex and often fraught intersections between politics and the built environment.

Serrat spoke candidly about the challenges of running a magazine dedicated to such a niche topic. She noted that many people see architecture as a “dry” subject, and politics as something that happens only in the halls of power. However, Serrat believes that these disciplines are deeply connected to the lives of everyday people, and that understanding them is key to creating a more just and equitable world.

One of the ways that Serrat is working to make these connections is through “The Funambulist’s” popular podcast series. The podcast features interviews with architects, activists, and scholars who are using their work to push back against oppression and inequality. Serrat notes that podcasts allow for a more intimate and personal conversation than written pieces, and she enjoys talking to people from all over the world about their experiences.

Serrat also spoke about her deep commitment to social justice, both in her personal life and her work. She noted that she tries to use her platform as a writer and editor to highlight the struggles of marginalized communities, from Palestinian refugees to Black and Brown people fighting against police brutality. Serrat believes that architects and urban planners have a responsibility to create spaces that are welcoming and accessible to all, and that this work requires a deep understanding of the politics and power dynamics at play.

In conclusion, Violette Serrat is a force to be reckoned with in the world of journalism and cultural criticism. Her work with “The Funambulist” is helping to push the boundaries of what we think of as “architecture” and “politics,” and is bringing crucial conversations to the forefront. Serrat’s commitment to social justice and equity is inspiring, and her work is a reminder of the power of storytelling to bring about change.

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