The band’s sound was characterized by Verlaine’s unique guitar playing style and poetic lyrics, which were often delivered in a purposefully detached and deadpan manner. Hell left the band in 1975 after releasing one album with them, leaving Verlaine as the group’s primary creative force.
Television released their debut album, Marquee Moon, in 1977 to critical acclaim. The record showcased the band’s intricate guitar work and songwriting, and was praised for its contributions to the punk and post-punk movements. The album features seminal tracks like “See No Evil” and the epic titular song “Marquee Moon”.
The band went on to release three more studio records during their initial run, with each album being distinct from the previous one. Adventure (1978) saw the band delving deeper into experimental and art rock territories, while 1979’s The Blow-Up expanded their sound with contributions from keyboardist Fred Smith.
Television’s swan song can be found on their 1992 self-titled album, which featured an updated sound and added more melody to their signature mix of post-punk and art rock. The album was well received by critics, with many hailing it as a return to form.
Despite their relative commercial obscurity during their initial existence, Television’s influence on rock music cannot be overstated. Bands like Sonic Youth, R.E.M., and The Strokes all cite the band as an inspiration, while their pioneering blend of punk and art rock paved the way for future genres like indie rock and post-rock.
While Television’s career may have been relatively short-lived, their impact on American music was undeniable. Their signature sound and songwriting style continue to be influential to this day, and Marquee Moon remains a classic album that any rock fan should be familiar with.