Set in the early 2000s, Spotlight follows a team of journalists at the Boston Globe as they dive deep into allegations of sexual abuse by Catholic priests in the Boston area. The story kicks off when the Globe’s new editor-in-chief, Marty Baron (played by Liev Schreiber), arrives in Boston and suggests that the newspaper should take a closer look at a long-standing lawsuit against the Catholic Church. Baron’s move is met with resistance from many in the city, who view the Globe’s reporting as an attack on a beloved institution.
Despite the pushback, the Spotlight team decides to take on the investigation. Led by Walter “Robby” Robinson (played by Michael Keaton), the team combs through years of church records, court files, and interview transcripts in order to build a case against the Catholic Church. Along the way, they uncover a widespread pattern of sexual abuse and cover-ups by the church, and ultimately publish a landmark series of articles that prompts a national conversation about abuse within the Catholic Church.
One of the things that sets Spotlight apart from other films about investigative journalism is the way it handles the subject matter. While the story is undeniably dark and disturbing, the film doesn’t rely on sensationalism or cheap thrills to keep audiences engaged. Instead, it tells the story in a measured, deliberate way that makes the stakes feel high without ever resorting to gratuitous violence or spectacle.
Another strength of Spotlight is its performances. The film boasts an all-star cast that delivers across the board, with actors like Mark Ruffalo, Rachel McAdams, and John Slattery turning in nuanced, thoughtful performances. But perhaps the most impressive acting comes from Keaton, who anchors the film with his understated portrayal of Robby Robinson. Keaton manages to convey the weight of Robinson’s responsibility without ever becoming showy or over-the-top.
Despite its seriousness and weighty subject matter, Spotlight is ultimately a film about the importance of journalism. In telling the story of the Globe’s investigation, the film highlights the kind of deep, sustained reporting that is necessary to uncover wrongdoing and hold powerful institutions accountable. At a time when trust in the media is at an all-time low, Spotlight feels like a vital reminder of the important work that journalists do.
Overall, Spotlight is a must-watch film for anyone who cares about the power of journalism or wants to better understand the sexual abuse scandal that rocked the Catholic Church. It tells a difficult story with sensitivity and grace, and reminds us that sometimes the darkest stories are the ones that most urgently need to be told.