Daughters is an American noise rock band that has been garnering attention lately for their intense and explosive live performances. Comprised of vocalist Alexis Marshall, guitarist Nicholas Andrew Sadler, drummer Jon Syverson, and bassist Samuel Moorehouse Walker, Daughters has been pushing the boundaries of what a rock band can be since their formation in 2002.

Their early releases, such as their self-titled EP and debut album “Canada Songs”, were characterized by their abrasive sound and Marshall’s wild vocals. However, it wasn’t until their 2006 release “Hell Songs” that the band began to gain wider recognition. At this point in their career, Daughters had developed a more experimental and dynamic approach to their music, incorporating elements of noise, post-punk, and industrial into their sound.

Despite their growing reputation as a must-see live act, Daughters went on hiatus in 2009, leaving fans wondering if they would ever return. Fortunately, the band reemerged in 2013 with their fourth album “Daughters”, once again showcasing their ability to create abrasive, thrilling music that defies categorization.

Now, with their latest release “You Won’t Get What You Want”, Daughters have solidified their position as one of the most exciting and innovative bands in the world of rock. Although the album marks a departure from the straightforward aggression of their earlier work, it’s no less intense or unsettling. Instead, “You Won’t Get What You Want” sees Daughters embracing a more atmospheric and experimental approach, with haunting soundscapes and bleak lyrics that explore themes of isolation, trauma, and mental illness.

This evolution in their sound can be attributed in part to the band’s approach to songwriting. In a 2018 interview with NPR, Marshall revealed that the band would often “pick out moments that felt really hypnotic and just let those play out.” This process allowed them to create songs with a sense of tension and unpredictability that keep listeners on the edge of their seats.

But while Daughters may have changed their approach to songwriting and broadened their sonic palette, they still possess the same frenetic energy and intensity that they’ve always been known for. Live, they’re a force to be reckoned with – with Marshall’s theatrical performance style matching the explosive energy of the music.

In a time when many have been quick to declare the death of rock music, Daughters have proven that there’s still plenty of life and creativity left to be found in the genre. As long as they continue to push their own boundaries and experiment with new sounds and styles, there’s no telling how far they can go.

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