The film, written and directed by Mike Cahill, explores timely themes such as mental health, addiction, and the nature of reality. Greg’s experience with the drug in the film can be seen as a metaphor for how people with mental health issues often turn to substances to escape their problems. It also raises questions about reality and the possibility of multiple planes of existence.
Owen Wilson delivers a stellar performance as Greg, expertly portraying the character’s emotional turmoil and confusion as he navigates this new world. Salma Hayek is also impressive as Isabel, who can be seen as both a savior to Greg and a threat to his stability.
What makes Bliss stand out is its unique visual style. The scenes in the real world are shot in a very subdued and muted color palette, while the scenes in the utopia are bright and colorful, almost psychedelic in nature. This contrast helps to highlight the stark differences between reality and the world Greg experiences while on the drug.
The film also benefits from its strong supporting cast. Bill Nye (yes, the Science Guy) appears as Greg’s boss, who he rants to about the difficulties of his life. And Madeline Zima is captivating as Greg’s daughter Emily, who he is desperately trying to reconnect with.
The narrative is not without its flaws, however. The film can be confusing at times, and some viewers may be left with more questions than answers. The pacing can also feel slow at times, with some scenes feeling unnecessarily drawn-out.
Despite its imperfections, Bliss is a thought-provoking film that will leave audiences pondering the nature of reality and the importance of staying grounded in the present. It’s a film that can start important conversations about mental health and addiction, and is sure to resonate with anyone who has ever struggled with these issues.
Overall, Bliss is a visually-stunning film with strong performances and a deep message. While it may not be for everyone, those who are open to its themes will find it to be a powerful viewing experience.