The film opens with an iconic sequence of The Dawn of Man, where a group of prehistoric humans discovers a mysterious black monolith which imparts primitive humans with the power and knowledge to use tools. The jump-cut from a bone thrown into the air to a satellite orbiting the Earth was a masterclass move that effectively communicated how far humanity has progressed.
The first half of the movie showcases the mission to Jupiter by Dr. David Bowman, Dr. Frank Poole and their ship’s computer, HAL 9000. The ship, Discovery One, is en route to Jupiter to investigate a mysterious signal from a black monolith discovered on the Moon. On the way, HAL’s malfunction threatens the mission and the crew’s survival. It is then up to Bowman to shut down HAL, one of the most famous artificial intelligence characters in cinematic history. The scene where HAL begs for his life as Bowman shuts him down is one of the most haunting sequences in the film.
The second half of the movie takes on a more esoteric and abstract approach, going beyond traditional narrative storytelling. Bowman’s journey beyond the infinite takes him into a dazzling wormhole, experiencing a kaleidoscope of abstract colours and images. Ultimately, his journey leads him to the discovery of the Draconian beings, an advanced civilisation that abducts him.
The themes of the film are broad and complex, touching on ideas like evolution, human consciousness, and the limits of human knowledge. The central idea of the movie is the unknown, the possibility of new evolutionary forces that humanity is not yet ready to comprehend. 2001: A Space Odyssey is rightly categorised as a landmark film that forced audiences to look further into a futuristic reality.
The immersive experience of the film is its most significant hallmark. Stanley Kubrick’s attention to detail is awe-inspiring, especially when you consider the film was made before virtually any of the special effects that we take for granted today. The iconic triptych of notes that make up Richard Strauss’s Also Sprach Zarathustra that accompany the opening scenes are an audiophile’s dream, expanding the cinematic universe even further.
The film’s cinematography is breathtaking, with a heavy focus on conveying the overwhelming sense of isolation and hopelessness in space. There is a sense of the eerie and the unknown, with many of the scenes executed through long, silent takes that left performances the acting to the fore. The film’s use of silence makes it almost meditative, with the viewer lost in their thoughts as they observe the psychedelic visuals before them.
2001: A Space Odyssey remains a masterpiece to this day, with its dystopian vision of the future that still remains haunting. It is easy to see why it’s frequently ranked as one of the greatest movies of all time, with its intricate and thoughtful exploration of humankind’s place in the universe that leaves viewers spellbound over five decades after its initial release. The film continues to inspire directors from across the globe, cementing its place as a timeless cinematic masterpiece.
In conclusion, 2001: A Space Odyssey is not merely a movie; it is a cinematic experience. Stanley Kubrick’s masterpiece is among the best ever made, with its reach felt on films for generations to come. The film is a vibrant visual poem that pushes cinematography to its limits and testifies to the power of storytelling in the hands of an enterprising filmmaker. It is a must-watch film for moviegoers aiming to expand their knowledge of classic cinema, as well as for sci-fi enthusiasts whose vast imagination Kubrick caters to with aplomb.